Hearing the Future, One Piano Ensemble at a Time

by Clare

Scott and I had the honour of serving as adjudicators for the Northwest International Piano Ensemble Competition. We’re so grateful to the organizers for the invitation—it was a joy to witness the dedication, artistry, and sheer musicality that each ensemble brought to the stage.

Every performance reminded us why we love this art form: the way two, four, or even six hands can weave a single musical thought, the unspoken trust between partners, the courage it takes to share something so personal in front of strangers. Honestly, the level of playing was incredibly high across the board—our hats are off to all the participants!

One pair that gave an especially outstanding performance was a brother-sister duo from Texas. Their connection went beyond technique; it felt like listening to a conversation only siblings could have—full of inside rhythms, shared memories, and playful teasing, all translated into music.

And then came a wonderful surprise: a group from Seattle performed a four-hand arrangement… written by Scott! 😊

Needless to say, I held my breath through the whole piece—not out of nerves, but awe. To hear your own musical language reimagined by young artists you’ve never met? That’s a rare and humbling gift.

Being on the other side of the judging table reminded us how much growth happens not just in notes played, but in the space between them—in the listening, the adapting, the daring to try something together.

Thank you again to the competition for letting us be part of this musical journey. We left inspired… and already looking forward to next time.

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Carmina Burana—With Ballet, Choir, Percussion… and Just One Shot!

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The Boy Who Watched From the Seats